Cast your minds back to July 2016. Yeah. Remember Paul & Nessa's Happy Hour, show 45? No? Well, whether you do or not, here it is at last, available to listen to in all its glory either via the Cranked Anvil website or via Mixcloud, depending on your preference or convenience.
This week, Paul & Nessa discuss biscuits, sweets, and the dodgy things our parents used to say to us. Paul rants about Wham bars and Haribos, and we’re joined on the phone again by Mr Punn, who discusses the Euros and football legends. And our #GuessTheTheme game this week has listeners utterly beat! Can you figure out the link before the end of the show?… Sketches written by Tim Gambrell, Michael Monkhouse, Tim Perry, Chris Tindall, Paul Dunn, and David Metcalf Jamie McLeish & Andrew Kirkwood as MKM Comedy, with extra material by Michael Monkhouse. They were performed by James Barton, Sarah Boulter, Carole Cooke, Paul Dunn, David Foster, Harriet Ghost, Vanessa Karon, Micky McGregor, Dolores Poretta, Peff Soulsby, Stephen Sullivan, and Jordan Todd. Script editor was Paul Dunn. First broadcast 06.07.16.
https://crankedanvil.co.uk/happy-hour/
https://www.mixcloud.com/pauldunn3998/paul-nessas-happy-hour-45/
Monday, 4 December 2017
Book news update...
Hello people. Stuff has been happening on the writing / publishing front and while I've been promoting it all and sharing it all on social media platforms I haven't been updating my blog. I've had the honour, this year, to work with some great people on some great ideas and franchises. There'll be more to come in 2018, for sure, but for now this is what's out there and how to get hold of it:

Lethbridge-Stewart: The HAVOC Files 3, featuring my story The Bledoe Cadets and the Bald Man of Pengriffen. The last few copies may still be available direct from Candy Jar Books:
http://www.lethbridge-stewart.co.uk/
Otherwise, it's available as a Kindle e-book from Amazon:
https://www.amazon.co.uk/Lethbridge-Stewart-HAVOC-Files-Andy-Frankham-Allen-ebook/dp/B072NZD99G/ref=pd_sim_351_3?_encoding=UTF8&psc=1&refRID=032XTKQBXW1Y7N3HEMB1
True Stories is available in three formats; as a (gorgeous) hardback book, as an e-book and also as an audiobook read superbly by the incomparable Lisa Bowerman, Bernice Summerfield herself.
It's only available through the Big Finish website, as follows:
https://www.bigfinish.com/releases/v/bernice-summerfield-true-stories-novel-ebook-1695
https://www.bigfinish.com/releases/v/bernice-summerfield-true-stories-audiobook-1698
The Lethbridge-Stewart Quiz Book features an exclusive short story by me, Cow Pats and Comfort. The story also foreshadows some aspects of my Lethbridge-Stewart novel which is due out at the end of 2018 - but more on that nearer the time.
There are only a few copies left, so get in quick. It's available exclusively from the Candy Jar website:
http://www.lethbridge-stewart.co.uk/
Whoblique Strategies is available from Chinbeard Books from December 6th.
http://www.chinbeardbooks.com/charity-beard
It's the brainchild of Elton Townend-Jones and all proceeds are going to Children in Need.
There's more about the background here:
https://thedoctorwhocompanion.com/2017/11/18/whoblique-strategies-anthology-book-announced-for-children-in-need/

I have four pieces in the book. It's going to be a pretty unique volume, and some wonderful writers and artists have contributed work in the name of charity to help bring Elton's vision to life.
And that's it for now - but all in all I'm very happy with what I've achieved and had published in 2017. 2018 will be bigger and better, and I'll endeavour to keep this Blog updated along the way.
Cheers, Tim

Lethbridge-Stewart: The HAVOC Files 3, featuring my story The Bledoe Cadets and the Bald Man of Pengriffen. The last few copies may still be available direct from Candy Jar Books:
http://www.lethbridge-stewart.co.uk/
Otherwise, it's available as a Kindle e-book from Amazon:
https://www.amazon.co.uk/Lethbridge-Stewart-HAVOC-Files-Andy-Frankham-Allen-ebook/dp/B072NZD99G/ref=pd_sim_351_3?_encoding=UTF8&psc=1&refRID=032XTKQBXW1Y7N3HEMB1
Back in September I had my first work published with Big Finish. Bernice Summerfield: True Stories is a collection of short adventures set in the Unbound Universe of the recent audio box sets. It features my story Stockholm From Home, along with some great luminaries from the world of Doctor Who prose fiction, such as Kate Orman and Jonathan Blum.
True Stories is available in three formats; as a (gorgeous) hardback book, as an e-book and also as an audiobook read superbly by the incomparable Lisa Bowerman, Bernice Summerfield herself.
It's only available through the Big Finish website, as follows:
https://www.bigfinish.com/releases/v/bernice-summerfield-true-stories-novel-ebook-1695
https://www.bigfinish.com/releases/v/bernice-summerfield-true-stories-audiobook-1698
The Lethbridge-Stewart Quiz Book features an exclusive short story by me, Cow Pats and Comfort. The story also foreshadows some aspects of my Lethbridge-Stewart novel which is due out at the end of 2018 - but more on that nearer the time.
There are only a few copies left, so get in quick. It's available exclusively from the Candy Jar website:
http://www.lethbridge-stewart.co.uk/
Whoblique Strategies is available from Chinbeard Books from December 6th.
http://www.chinbeardbooks.com/charity-beard
It's the brainchild of Elton Townend-Jones and all proceeds are going to Children in Need.
There's more about the background here:
https://thedoctorwhocompanion.com/2017/11/18/whoblique-strategies-anthology-book-announced-for-children-in-need/

I have four pieces in the book. It's going to be a pretty unique volume, and some wonderful writers and artists have contributed work in the name of charity to help bring Elton's vision to life.
And that's it for now - but all in all I'm very happy with what I've achieved and had published in 2017. 2018 will be bigger and better, and I'll endeavour to keep this Blog updated along the way.
Cheers, Tim
Monday, 3 July 2017
The Screen Savers, by Bryan Romaine
My good friend Bryan Romaine has published his first novel, The Screen Savers. I was fortunate enough to be given an advance reading copy in March of this year, which I read, thoroughly enjoyed and then reviewed. I've been holding on to that review ever since, and now that the book has finally been published I can tell the rest of the world what I thought of it!
The book can be purchased in hard copy or Kindle form from Amazon on the link below:
https://www.amazon.co.uk/dp/B073JPH5CD/ref=sr_1_1?ie=UTF8&qid=1499073004&sr=8-1&keywords=bryan+romaine
The book can be purchased in hard copy or Kindle form from Amazon on the link below:
https://www.amazon.co.uk/dp/B073JPH5CD/ref=sr_1_1?ie=UTF8&qid=1499073004&sr=8-1&keywords=bryan+romaine
The Screen Savers.
Literature has a long history of eccentrics and obsessives, from Cervantes’ Don Quixote, through Laurence Sterne’s Uncle Toby and HG Wells’ various tragic specialists, up to Mark Haddon’s The Curious Incident of The Dog in The Night-time and beyond. In The Screen Savers Bryan Romaine has created another in this line of complicated, neurotic, eccentric, fallible and ultimately human literary characters in the simply-named Adam. I think anyone who has lived on their own for any period of time will be able to relate to Adam – either positively or negatively. But at a basic level this reviewer found him to be an endearing creation with a real sense of truth about him.
Literature has a long history of eccentrics and obsessives, from Cervantes’ Don Quixote, through Laurence Sterne’s Uncle Toby and HG Wells’ various tragic specialists, up to Mark Haddon’s The Curious Incident of The Dog in The Night-time and beyond. In The Screen Savers Bryan Romaine has created another in this line of complicated, neurotic, eccentric, fallible and ultimately human literary characters in the simply-named Adam. I think anyone who has lived on their own for any period of time will be able to relate to Adam – either positively or negatively. But at a basic level this reviewer found him to be an endearing creation with a real sense of truth about him.
This is Bryan’s
first novel, and stylistically it is a very confident work. The narrative voice gives the
reader a sense of immediacy and pace. The only exceptions to this are
occasional predictive clauses informing the reader of events or decisions further
down the line; these serve not to spoil, merely to whet the appetite or ensure
that the reader’s focus remains aligned with the authorial voice. It’s a subtle
hand-holding technique within what, on the surface, appears to be a text that
lays itself and its central character completely bare to the reader.
The author’s
confidence, and competence, is further displayed by the fact that the book is
largely under-written. Peripheral detail and description is scant at times, yet
there are also occasions where detail and information is thrust at us with
almost manic fervour, reminiscent of Bret Easton Ellis’ Postmodern classic American Psycho. Somewhere within this
uneven landscape of tropes and signifiers the reader gets a very real sense of
Adam’s world and surroundings. Scenes don’t always pick up directly from where the
previous one left off – although where there are narrative gaps or jumps the
reader is very soon able to fill in the blanks. We may not get to experience
every scene or every moment, but we still know pretty much exactly what’s gone
on – and that displays the author’s skill; Bryan has an acute understanding of
how to craft the text in an engaging way. Symptomatic of these narrative jumps
is the pervading sense of the sections or chapters as a modestly sequential
collection of flash fiction pieces, all adding together to create a cohesive
whole.
The short
sections gives the reader the impression that they are steaming through the
book at pace – which can be a bonus for those who like to read on their commute
to work. But The Screen Savers is
deceptive in this; Adam’s voice, his worries, hang-ups and obsessions actually
ferment a much deeper understanding in the reader’s mind than the simple words
we read on the page in these brief scenes and moments. We start to fill in gaps
ourselves; we absorb information and use it to clarify or justify actions
already witnessed or those yet to come. So The
Screen Savers is very much a collaborative
text existing as a contemporaneous whole; the reader is constantly editing the
text in their head and revising their understanding of characters and events as
they progress through the work as more and more becomes clear. So the reader
unwittingly works with the author in
real time to create their individual experience, rather than sitting back and
being dictated to.
In common with
many previous texts fuelled by obsessive, eccentric characters, The Screen Savers is naturally very funny. The prospect that someone could be mistaken for Clive Owen and also
Martina Navratilova paints some wonderful images in the reader’s head, for
example. The humour is situational and character-driven through reactions and
mannerisms; it is never forced and ‘gags’ (such as any are) are never set up in
a contrived way. For example – and this owes much again to the pictures that
the text conjures in the reader’s head - there is a persistent reference to
deceased Scottish actor Alastair Sim. Now, okay, some younger readers may need
to contextualise him, but the conceit is planted with perfect legitimacy and
once there the obsessive revisiting of it, and the resultant mental hoops Adam
puts himself through, create some extraordinarily comedic moments and images.
There is a
notional ‘story’ running through the book, but this isn’t a plot-driven
page-turner; it’s more of a character study as Adam comes to terms with various
aspects of his life and his own mental challenges. One thing the book does
expertly is show that no one is normal,
or ‘ordinary’. Everyone reveals themselves to be flawed in some way – either in
their own eyes or through those of Adam. Everyone has hang ups or oddities that
they accommodate and deal with on a day to day basis in their own way.
Even though the
story of the fight for screen seven at the local cinema is somewhat ancillary
the author skilfully creates a sense of increasing tension as the narrative
builds towards its conclusion – again this is achieved organically and not
through any forced manipulation of characters and incidents. This produces a
real sense of elation at the conclusion, rewarding the level of involvement and
commitment the reader has invested in the characters and the text. The
conclusion itself is appended by some wonderfully humorous (and organic) moments.
We don’t get a pay-off scene between Adam and Yvette, and if there had to be a
negative I’d say that Adam and Yvette’s relationship is a little too scant and under-written
after she returns from her weekend away, but that’s really a minor quibble
amongst a whole load of positives.
To sum up, The Screen Savers is very well - and
sympathetically - written, and I’ve greatly enjoyed the experience of reading
it. I felt I could relate to Adam and to his situation in life; I understood
the mental hoops he puts himself through in his relationships with other people.
I’ve relished the challenges of the text, it’s lightness of touch and the
shorthand way it has of encouraging the reader to infill any narrative gaps.
Although I appreciated the bite-size chapters I really didn’t want to put it
down once I’d started it, and I can envisage future re-readings with time set
aside to consume it all in one go.
I hope this
book gets the wide audience and appreciation that I feel it deserves, and that
we get further works from Bryan Romaine as a result.
The Lethbridge-Stewart Quiz Book
OK, so yet again a few months have gone by and it seems I've neglected my Blog. The thing is, there's been 'stuff' going on and it's not always 'stuff' I can talk about until things are announced, but now we're into the second half of the year maybe things will pick up again around here.First up is The Lethbridge-Stewart Quiz Book, from Candy Jar Books, compiled by Mark Jones and featuring an exclusive short story from Yours Truly. The rather splendid cover is by Richard Young.
The book is currently available to pre-order via the Candy Jar website on:
http://www.candy-jar.co.uk/books/thelethbridgestewartquizbook.html
and I'll no doubt post a reminder when it's actually released. The Lethbridge-Stewart Quiz Book features questions from the Target, Virgin and BBC novels, the Big Finish and BBC audio stories, comic strips and the Candy Jar Lethbridge-Stewart novels.
Thursday, 16 March 2017
The Unofficial Doctor Who Limerick Book!
So, the guys at Long Scarf Publishing have produced another fan-led Doctor Who book for charity. This one is called The Unofficial Doctor Who Limerick Book and it's raising money for MIND.
It's available now to pre-order.
Yes, it does feature some limericks from yours truly.
And yes, I could have written this blog post in limerick form if I'd really tried!
Details on the book and how to order it direct from the publisher are here:
http://drwholimerickbook.strikingly.com/
Details on the charity MIND can be found here:
http://www.mind.org.uk/
Please do purchase a copy if you can.
It's available now to pre-order.Yes, it does feature some limericks from yours truly.
And yes, I could have written this blog post in limerick form if I'd really tried!
Details on the book and how to order it direct from the publisher are here:
http://drwholimerickbook.strikingly.com/
Details on the charity MIND can be found here:
http://www.mind.org.uk/
Please do purchase a copy if you can.
Thursday, 2 March 2017
World Book Day 2017
It's World Book Day - yay! This always provokes a mass of '10 Favourite Books'-type lists on social media. I can't pick ten, or twenty - or possibly even fifty. The best I can do instead is pick a favourite book per decade from the 1680s onwards, when my reading really starts. Yup... So here goes!
1680s Aphra
Behn Love Letters Between A Nobleman and
His Sister
1690s
Nothing!
1700s
Delarivier Manley New Atalantis
1710s Daniel
Defoe Robinson Crusoe
1720s
Jonathan Swift Gulliver’s Travels
1730s Eliza
Haywood Eovaii
1740s Henry
Fielding Joseph Andrews
1750s
Laurence Sterne Tristram Shandy
1760s Horace
Walpole The Castle of Otranto
1770s Frances
Burney Evelina
1780s William
Beckford Vathek
1790s Mary
Hays A Victim of Prejudice
1800s Thomas
Paine The Age of Reason
1810s Mary
Shelley Frankenstein; or A Modern
Prometheus
1820s Samuel
Pepys’ Diary (the first proper
publication of the diaries written in the 1660s)
1830s Charles
Dickens The Pickwick Papers
1840s Charles
Dickens A Christmas Carol
1850s Herman
Melville Moby Dick, or The Whale
1860s Wilkie
Collins The Woman in White
1870s Lewis
Carroll Through The Looking Glass and
What Alice Found There
1880s Robert
Louis Stevenson The Strange Case of
Doctor Jekyll & Mr Hyde
1890s Bram
Stoker Dracula
1900s Sir
Arthur Conan Doyle The Hound of The
Baskervilles
1910s Ford
Maddox Ford The Good Soldier
1920s James
Joyce Ulysses
1930s Aldous
Huxley Brave New World
1940s Ernest
Hemingway For Whom The Bell Tolls
1950s JRR
Tolkein The Lord of The Rings
1960s Anthony
Burgess A Clockwork Orange
1970s Douglas
Adams The Hitchhiker’s Guide To The
Galaxy
1980s John
Irving A Prayer For Owen Meany
1990s Irvine
Welsh Trainspotting
2000s Audrey
Niffenegger The Time Traveler’s Wife
Authors I
love but couldn’t accommodate: Virginia Woolf, Arthur C Clarke, Tobias Smollett,
EM Forster.
Hopefully there are some oddities and surprises in the list, along with the predictable crowd-pleasers.
Also this
list ignores all the Doctor Who and associated
spin-off novels from the 1960s onwards, as choosing between those is just
impossible.
Thursday, 22 December 2016
Paul & Nessa's Happy Hour Show 43
Not posted a show here for a while - but then the guys at Cranked Anvil have been busy doing other exciting things in theatreland and not uploading their shows to Mixcloud. But here is Show 43, the next in line containing material by me.
With thanks as always to Paul Dunn, Vanessa Karon and Cranked Anvil Productions for using my material in the first place and then for letting me post these shows here on my Blog. For more information check them out at http://crankedanvil.co.uk/ or follow them on Twitter @CrankedAnvil.
Show 43. Sketches written by Paul Dunn, Stephen Philip Druce, David Foster, Tim Gambrell, Michael Monkhouse, Matt Watson, and David Metcalf Jamie McLeish & Andrew Kirkwood as MKM Comedy. Performed by Sarah Boulter, Carole Cooke, Paul Dunn, David Foster, Harriet Ghost, Michael Grist, Vanessa Karon, Wayne Miller, Dolores Poretta, Adam Ramsey, Craig Richardson, Jay Sykes, Stephen Sullivan, and Jordan Todd. Script editor was Paul Dunn. First broadcast 22.06.16.
With thanks as always to Paul Dunn, Vanessa Karon and Cranked Anvil Productions for using my material in the first place and then for letting me post these shows here on my Blog. For more information check them out at http://crankedanvil.co.uk/ or follow them on Twitter @CrankedAnvil.
Show 43. Sketches written by Paul Dunn, Stephen Philip Druce, David Foster, Tim Gambrell, Michael Monkhouse, Matt Watson, and David Metcalf Jamie McLeish & Andrew Kirkwood as MKM Comedy. Performed by Sarah Boulter, Carole Cooke, Paul Dunn, David Foster, Harriet Ghost, Michael Grist, Vanessa Karon, Wayne Miller, Dolores Poretta, Adam Ramsey, Craig Richardson, Jay Sykes, Stephen Sullivan, and Jordan Todd. Script editor was Paul Dunn. First broadcast 22.06.16.
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